Pushing beyond his playlist origins, the New Zealand producer’s debut album revels in eccentric details while adhering to traditional pop structures. Like so many electronic artists in the mid-’10s, New Zealand’s BAYNK (Jock Nowell-Usticke) got his start making chill, pop-adjacent songs that seemed primed for placement in mood-based playlists. His early attempts at surf-bro EDM sounded like what Kygo and LeMarquis were putting out on SoundCloud at the time; he used his voice sparingly, mainly as material to be sampled. In the years since, though, he has refined his palette. On 2017’s Someone’s EP I and 2019’s Someone’s EP II, his percussion took on the rhythmic impulse of Four Tet, and his rubbery basslines and glossy experimentalism... read more